REaction-actionRE
Evening of World Premieres
Music hallucinations of:
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13 May [Monday] 18.30
The Chamber Hall of
The Ural State Philharmony |
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Patrick De Klerck [Belgium]
Sine forma
for saxophone, 4 flutes, eventual live electronics [2002] |
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In 17th century a cardinal could say to a bishop : " Would you want to go to the Palestrina tonight, sine forma ? " It would mean without formalities.
In this context however Sine Forma is written for 4 flutes and saxophone, the flutes act as one group, the sax tries to join at times, but cannot make a decisive impact.
In a way the flutes provide as sort of magic field, unearthy, while the sax is, well, earthy. |
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Valentin Barykin [Yekaterinburg]
Re-corda-re
for saxophone, violin, cello and RE [2002]
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Olga Viktorova [Yekaterinburg]
dada...
for 2 flutes, piano and remembrances [2002] |
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listen cautiously to volumes of space
you will reach the dazzling distance
mechanisms operate the state of sounds
the universe of sounds is perplexed at failures
listen attentively to volumes of space
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Vladimir Kobekin [Yekaterinburg]
Iyeremiya's Cry
for saxophone solo [2002] |
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It is possible to get drunk not only by alcohol, but by grief, by tears, by rejoicing, by hate, by revenge, by art – "I get drunk by harmony at times", – by love.
It is possible to get drunk by a sound RE as well.
RE is a magic circle, a sounding mandala, a guiding thread for arising hallucinations.
Getting drunk by the sound RE during a whole evening is an adventure not for everyone, for chosen natures only.
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Oleg Paiberdin [Yekaterinburg]
and the quiet wind was whispering me
[bagatelle]
for flute and saxophone [2002] |
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It is very important, if it is possible, to find something stable in spite of anything
Getting up every day very early in the morning in the same time pouring out a glass of water into a toilette (A. Tarkovskys "The Sacrifice")
A scientist had been looking at water for many years long It helped him to understand the Universe
Listening to one and the same sound for the whole evening It is a liturgy in a way Composers works are melismas to one of choral sounds It is the beginning of Comprehension for some of us |
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Sergey Patramansky [Yekaterinburg]
Silenzio
for violin and cello [2001] |
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Silenzio is an attempt to go out from external anxiety and to sink into a world of clear flageolet sounds, where time stays and measured order of accords-crystals tunes on a noble concord, causing to remember about integrity of world-reception of Renaissance masters. |
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Alexsander Shchetinsky [Ukraine]
Con re: meadows in orange and blue colours
for 4 flutes, saxophone, violin and cello [2002] |
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The piece enters with a web of melodic lines played by the wind instruments. They interflow into a dense timbral stream, other time scatter into sparkles of separated motives, may freeze in a vibrating chord or turn into a sad and coldish choral. Flexibility and changeableness are characteristic features of all sounding elements except just one of them – the tone D continuously performed by the strings, like a small island of stability. Not once this tone is drowned with the winds, but the violinist and the cellist persistently play it, even when it becomes indiscernible for a long time (this introduces purely visual element of musical theatre). Warm colour of the strings makes its way through the coldness and indifference of the winds. Will it reach us? |
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Avet Terterian [Armenia]
*** |
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Music is sound shaking... |
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Laureate of International Competition
Flute Quartet:
Polina Ugodnikova
Yana Moreva
Natalja Penzina
Natalja Knyazkova
saxophones in Es:
Igor Parashchuk
Tatjana Novoselova
Olga Homenko [violin]
Dmitry Yakovlev [cello] |
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